Tina Mitchell

“For Tender - For Tender explores the highs and lows of love—especially self-love—and takes the audience on a roller coaster of pain, joy, heartache, and sacrifice brought on by heartbreak and missed connections.”

“For Tender - This play not only reflects on what it means to walk through the world alone, challenging the dynamics of a society built for two, but also portrays a feminine emotional universe that must fit within the parameters of romantic love.”

“For Tender - It’s a necessary show that speaks to the dichotomies that cross us as humans, resulting in an uncomfortably familiar mirror.”

“Die Zauberflöte - The audience laughs, relaxes, is left speechless, enjoys the interplay among all the creative forces, feels like a participant in the celebration (because it is a theatrical party to which they have been invited), and ultimately applauds enthusiastically while standing.”

“Die Zauberflöte - And there it remains, as fresh and current as ever.”

“Die Zauberflöte - The result was truly brilliant, the audience had a fantastic time, and I, mutatis mutandis, did as well.”

“Die Zauberflöte - The current performance was a winner, in terms of both theatre attendance and the audience’s reaction.”

“Die Zauberflöte - It is one of the most applauded productions in recent years.”

“Die Zauberflöte - There is a rich blend of ideas, successfully executed and grounded in the theatrical and comedic elements of the Singspiel that, after all, is what Die Zauberflöte is.”

“Mata Hari - Without question, Mitchell gave a riveting performance.”

“Mata Hari - By taking a physical rather than vocal approach, Mitchell’s performance is a strong one: nervous and taut, Mata Hari comes across like a caged animal, constantly in search of the moment she can bolt.”

“Mata Hari - Tina Mitchell (gave a) magnetic performance. On stage throughout, she commanded every scene, and her lithe movements handsomely served the opera’s balletic requirements.”

“Miss Julia - Tina Mitchell uniquely embodies the female protagonist’s ambiguous personality using a combination of playful, ironic and melodramatic registers.
”

“Macbeth - Tina Mitchell is solid as Lady Macbeth. Her portrayal clearly shows a woman
who is possessed, persuasive and determined. Her slow progression into insanity, with a marvelously played sleep walking scene, is stunning and chilling.”

“Macbeth - Mitchell’s Lady Macbeth, for all her frenzied, greedy, disillusioned
fights for power and notoriety, is still tangibly real .... her choices
provide the audience a profoundly sad, desperately struggling woman.
One whose madness we understand.”

“Manon/Sandra - Mitchell has trained with the SITI company, and it shows:
Her physicality is riveting. As she hurtles manically
through the story of her illicit passion for an overly lavish rosary,
her body speaks the language of obsession, ecstasy
and self-punishment; across the stage.
”

“Manon/Sandra - Mitchell delivers an appropriately grating, physically brave performance as Manon”

“The Most Massive Woman Wins - All four actors provide raw and evocative performances...
Tina Mitchell is admirably brutal as Rennie”